The model I have in mind for the FilmsFolded essays is that they will suppose some grand insight that can be presented as a general observation. Some of these observations will be novel, even unintuitive so would be helped by specific examples. In each essay, I'd mention the use of the focus dynamic in few films. The examples would thus serve to improve an essay.
We'd have a parallel site with the Tedg IMDb comments, where each film has its own page. Though some of the Tedg/IMDb comments are interesting, they usually don't economically discuss the specific folding dynamic of the example. So for each film in the database, I now have to write an entirely new note, highlighting the relevant bits, and do so in a way that anticipates how the several essays may refer to dynamic in the film. (This is what is holding the project up.)
So in theory, a future reader would come to the dozen or so FilmsFolded essays on this site. Each of those is (will be) designed to be intrinsically interesting. They would cite examples in films, possibly using the same text I wrote in my new annotation for each film. The reader could hop over to the comment site to see more information on the film from me, and further link to comprehensive generic film info sites.
A collaborating reader would be able to comment on the essay, because that is what we want to mature. Each essay should describe a principle in cinematic narrative dynamics that we can implement in next generation experimental intelligent machines.
Going to the comment site first should make sense too.
The Kutachi essays have the same arrangement. We'll just have to work it out. The primary driver here is to support the essays, but a reader should not get lost if she approached from the bottoms up, coherent insights emerging from experiences.
In the case of the Kutachi Project, each essay should focus on a technique or metaphor to be used in interfaces for next generation machines. The Kutachi essays will refer to work by others, with some sort of intermediate text (written by me) between the essay and the reference.
In a conventional technical paper, all this bridging work is done in the main body of the text. That is simply an artifact of paper technology and we should be able to do better than that.
So we have to engineer where the depth is distributed, whether in the essay, the reference's annotation. Or I suppose we could just keep it packaged in the reference.
Someone should be able to read an essay as a self-contained document without following the references, even . So we need to have all the important ideas in the main text with the annotation only a supplement.
A specific twist on this is tossed around in the next section.